Writers often stare into the abyss, and as that abyss often takes the form of a refrigerator, the Paris Review has interviewed writers about the contents of their fridges. Kristen Arnett, author of Mostly Dead Things, gives a tour of her refrigerator, stocked with clementines, beer, and pizza rolls. “The thing about a fridge is we spend a lot of time standing in front of it wondering what’s inside. We don’t wanna necessarily open it because that will let all the cold air out, but I also like to think we stand in front of that closed door because we’re allowing ourselves to think that it holds something we truly want. Infinite possibilities.”
Rita J. King investigates the ways storytelling is being influenced by Twitter. Indeed, she writes that “every five days, a billion tiny stories are generated by people around the world … [and] the tweets are being archived by the Library of Congress as part of the organization’s mission to tell the story of America.”
As the lone mental hospital in The Magic Mountain referred to by its real name, the Hotel Schatzalp is a holy site for many Thomas Mann scholars and fans. At Page-Turner, Sally McGrane writes about the modern hotel, which employs a staff trained to deal with the occasional “literary fanatic.” (It also might be a good time to read Matthew Gallaway on Death in Venice.)
“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
The Iowa Writers’ Workshop turns 75 this year. To celebrate, a number of alumni are writing essays on their experiences for various blogs (as well as ours!) as part of The 75th Project. At The Los Angeles Review of Books, Kevin Brockmeier has comprised “A Chronological List of Statements People Made to Me at the Iowa Writers’ Workshop, 1995-1997.” Additionally, Joyelle McSweeney has a piece on n+1‘s website entitled “Iowa Occult: a Mütter Pedagogy; Or How I Learned to Stop Worrying & Vomit Art.”