In 2014, Édouard Louis published his first book, The End of Eddy, about his traumatic childhood in northern France. He was 21. This year, he published his third, titled Who Killed My Father. The title, he tells The Guardian in an interview, is “not a question; it’s a declaration.” Louis talks about violence, poverty, and the gilets jaunes movement: “I was bowled over when the movement started and suddenly I saw these bodies we see very little in public spaces and that I try to make visible in my books. The gilets jaunes movement made reality smash right into politics.”
“Always practice basic online etiquette, or ‘netiquette.’ Consider including emoticons to help add personality to your message and set the right tone. Also, be sure to stay on topic in a conversation and avoid writing in all caps, which is the online equivalent to shouting.” The Amazon Author Insights blog (full disclosure: Amazon helps us keep the lights on around here!) has a list of guidelines for authors looking to engage with their fans (and critics) on Goodreads. More recommended reading: our own Emily St. John Mandel on how to respond to your critics.
Great news for food lovers and over-thinkers everywhere: Gastronomica, the James Beard Award winning journal that takes a highminded approach to food and taste, recently began publishing writing online. Start with this lovely long article on the competition between Chinese and French black truffles. Or with a slightly cheeky revision of Pierre Bourdieu’s food space, if that’s more your, um, cup of tea.
As of last night, the UK has a brand new literary prize, the Folio, which its founders describe as “a Booker without the bow ties.” The Independent chronicles the short history of the prize, which owes its existence to a controversy among Man Booker judges two years ago.
You probably knew a Lothario was a character before his name grew into a generic euphemism for “Guy You Don’t Want Your Daughter Dating,” but what about “brainiac,” “mentor,” and “pamphlet”? It turns out character names have been making their way into everyday vocabulary for thousands of years.
“Just because I’m a woman, don’t assume that I automatically empathize with a brooding 20-something Elizabeth-Bennett-type protagonist. (Trust me, I don’t.) This doesn’t mean I can’t design … a biography on Susan Sontag—or, for that matter, a spy novel, a political satire, or a memoir about a Japanese game show host set in outer space. I can do all of these things. Because it’s my job to design book covers.” Over at The Literary Hub, a cover designer wonders why she’s always offered a particular type of book.