In 2014, Édouard Louis published his first book, The End of Eddy, about his traumatic childhood in northern France. He was 21. This year, he published his third, titled Who Killed My Father. The title, he tells The Guardian in an interview, is “not a question; it’s a declaration.” Louis talks about violence, poverty, and the gilets jaunes movement: “I was bowled over when the movement started and suddenly I saw these bodies we see very little in public spaces and that I try to make visible in my books. The gilets jaunes movement made reality smash right into politics.”
Recommended reading: “One of the drillers fell to his knees. Some sobbed, in the way men do when their mothers die, or when their sons are born.” An exceptional and deeply moving long-form essay in the New Yorker recounting the 69 days spent underground by the famed ’33’ Chilean miners buried in the 2010 accident at Copiapó.
Tom Jenks, co-founder of Narrative Magazine (which charges writers $23 to submit), is releasing a 400-page, six-chapter craft book on the art of imaginative fiction titled A Poetics of Fiction. The information inside the book is billed as “more than useful—it’s essential and not readily available anywhere else”—maybe that’s why it retails for $225.
Millions alumna Emily M. Keeler interviewed author David Gilmour for Hazlitt’s Shelf Esteem blog. In the process (and perhaps because he was distracted by “a Frenchman”) the author voiced some opinions on female authors that have been called “ill-informed,” “careless and offensive,” and “staggeringly narrow-minded and parochial.” The ongoing kerfuffle prompted Hazlitt to share the unedited transcript from Keeler’s interview, and it’s clear that Gilmour’s remarks were not taken out of context.
Recommended reading, Halloween edition: 5 scary stories written by women, courtesy of BookRiot.