Min Jin Lee, author of the bestselling novel Pachinko, recounts how she found her voice, going from a young student struggling with the English language to a published author promoting her own work. “I write novels, and now and then I give lectures,” she writes. “I come from many tribes—immigrant, introvert, working class, Korean, female, public school, Queens, Presbyterian. Growing up, I never knew that people like me could write books or talk in public. To this day, I worry that if I mess up, others like me might not be asked or allowed. This is how outsiders and newcomers feel. It is neither rational nor fair. I know.”
Min Jin Lee Finds Her Voice
Yuks of the North
“A Canadian author, a farmer, and a First Nations teenager went fishing. The farmer mostly sat there quietly while the author and the teenager tried to find common ground, even though the gulf between them felt massive.” A Canadian literary scene joke book.
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Semicolon Shenanigans
Need to spice up your writing? Try one of McSweeney’s punctuation marks such as the Yellow-Winged Apostrophe, which likes “to ‘peace out’ of its obligation to indicate possession or contraction,” or the Academic Ellipsis, which “is used by those who wish to demonstrate just how much more they know about how to use ellipses than you do.”
New Lethem
Did you know Jonathan Lethem‘s a really good essayist? Thought so. Did you know he has a 450-page collection, The Ecstasy of Influence, coming out in November? Me neither. An amuse-bouche, on Norman Mailer, is up at the L.A. Review of Books.
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Hard Mode
Serious reading is harder than ever. With so many distractions around, it’s incredibly difficult for a novel to keep our attention. In The Nation, Joanna Scott makes a case that careful reading is in danger, and builds a case for preserving difficult fiction. You could also read our own Nick Ripatrazone on trying to teach Thomas Pynchon.
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Brexit Blues
Recommended Reading: Jen Calleja offers a reading list to soothe your Brexit blues at The Quietus. “Like many people, I went through the five stages of Brexit – ‘oh well’, manic laughter, crying, rage, existential despair – in one day, and in the days that followed felt numb, nauseous, in doubt. But now it’s time to climb out of the mourning pit and work even harder than before at holding on to a European identity and keeping channels open to personal and literary dialogues with our European neighbours.”
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