For the release of her new collection, Orange World, Karen Russell spoke to Brian Gresko at Poets & Writers on supernatural metaphors for motherhood, lonely mutants, and the pleasures of world-building. “With short stories it feels possible to hop across time zones and zip into new skins; also to take risks that I think would prove unsustainable for the length of a novel,” Russell says. “World-building is such a pleasure for me, as a writer and as a reader, and I love story collections because they feel like a miniature universe, with all these interrelated worlds-in-progress.”
“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.