For the release of her new collection, Orange World, Karen Russell spoke to Brian Gresko at Poets & Writers on supernatural metaphors for motherhood, lonely mutants, and the pleasures of world-building. “With short stories it feels possible to hop across time zones and zip into new skins; also to take risks that I think would prove unsustainable for the length of a novel,” Russell says. “World-building is such a pleasure for me, as a writer and as a reader, and I love story collections because they feel like a miniature universe, with all these interrelated worlds-in-progress.”
“My whole life, I had used stories, both my own and other people’s, to check out of grocery store lines and long bus trips, stints in doctors’ waiting rooms, heartache, my own depression, and finally of the tedious exhaustion of new motherhood. Now, here I was in this 15-by-20 room, where monitors and alarms were constantly beeping, and there was no way out, except the unimaginable.” Alyson Foster, author of Heart Attack Watch, writes about her son’s illness and her love of reading.
Robert Fitterman, author of Nevermind, a book of poems created from Nirvana’s seminal album, interviews critic and scholar Paul Stephens about his own work and Nirvana’s art. Looking for more music related lit? Check out our Torch Ballads and Jukebox Music section.
“When you go to Narnia, your worries come with you. Narnia just becomes the place where you work them out and try to resolve them.” Lev Grossman writes for The Atlantic about The Lion, the Witch and the Wardrobe and why fantasy isn’t escapism. Pair with our own Edan Lepucki‘s review of Grossman’s latest novel, The Magician’s Land.