True crime is more than a recent podcast trend—just take a look at Casey Cep’s forthcoming Furious Hours. The book tells the tale of Harper Lee’s journey to Alexander City, Ala., in the 1970s to write about a gruesome murder that was staged to look like a car accident. A video produced by Dustin Stephens from CBS recounts the famous author’s attempt to learn more about the crime, with “Lee [deciding] she was going to try her hand at crime writing, showing up at the two-day trial.”
Harper Lee’s Unsolved Mystery
Sky Dive From Your Desk
Betty Wants In and the Melbourne Skydive Centre have been churning out some simply amazing footage of sky divers, parachutists, and base jumpers. Check out their latest installment, Experience Freedom, and be blown away. (Previously: Experience Human Flight, Experience Zero Gravity.)
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Bits
Millions reader Lisa found Booker winner Line of Beauty to be “a more intellectualized, less satirical version of Stephen Fry’s The Liar.” I’m sure Lisa won’t mind if you borrow that line at the next cocktail party.The new Gabriel Garcia Marquez book (Memories of My Melancholy Whores, they’re calling it now) continues to generate headlines. This time Gabo foils the pirates. Go Gabo!At Amazon you can watch Jon Stewart make an ISBN joke whilst hawking his book America. Just click on the link and then check out the “Amazon.com Exclusives.”Spotted on the El: Truman Capote’s “unfinished novel” Answered Prayers.
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Are Instagram Poets Actually Poets?
For the Poetry Foundation, Timothy Yu considers in greater depth the significance of Instagram poets in the larger world of contemporary poetry.
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What Happened
Blackout, the recent memoir by Sarah Hepola, chronicles the author’s long struggle with reckless drinking. The title references the total loss of memory she experienced after some of her worst benders. At The Morning News, Rosecrans Baldwin talks with Hepola about her book, amnesia and the nature of memory.
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The Opposite of #AmWriting
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.