The Joy Luck Club remains one of the best-known works of Asian American literature, and on the 25th anniversary of its publication, Amy Tan looks back on the landmark novel and its subsequent film adaptation in an interview with the Center for Asian American Media. Tan also reflects on the future of Asian American literature among second generation immigrants. “I think that we have many more second generation Asians in this country now whose parents are a little bit more open to their kids doing things other than the traditional jobs that make parents proud in former generations. My mother and father wanted me to be a doctor. I have friends now and their kids want to be filmmakers and they’re fine with that, even though it’s going to be a very hard road.”
‘The Joy Luck Club’ Turns 25
Rise Up
“Our culture has focused so much attention on the most visible members of the Black Panthers that it has been easy to forget it was a nationwide organization — an entity that needed to attract ordinary people who believed in something and were also willing to work for it.” In the Times, Rembert Browne reviews two new books about the Black Power movement.
Prepare for Departure
What’s the best book Mary Roach has read recently? Tim Johnston’s first novel, Descent: “I read the last 30 pages in an airport, 10 feet from the gate, and did not notice the boarding announcements. I missed my flight for literature.” Bonus: Here’s Roach’s interview with The Millions from a couple of years back.
Karen Joy Fowler wins 2014 PEN/Faulkner Award
Karen Joy Fowler has won the 2014 PEN/Faulkner Award for her novel We Are All Completely Beside Ourselves. A celebratory dinner will be held in her honor on May 10.
Interview with Pinckney Benedict
At The Rumpus, an engaging interview with Pinckney Benedict, author of Town Smokes and Miracle Boy and Other Stories, and one-time writing apprentice under Joyce Carol Oates.
The Ultimate Sentence
“If one-sentence stories are as common as snowflakes, one-sentence novels are as rare as white ravens.” At The New Yorker, Brad Leithauser writes about the one-sentence novel or the point when the story builds to a particular sentence. To give you an example, here’s one of his favorites from Lolita: “I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art.”
Curiosities: Alternative Punctuation
Newsweek names “The Most Dangerous Man in Publishing.”Adam Kirsch interviewed about his new bio of Benjamin Disraeli.”Daily Routines: How writers, artists, and other interesting people organize their days.” (via Jacket Copy)David Horvitz discovers several pages of his writing in this year’s Dave Eggers-edited Best American Nonrequired Reading. He was not told that his work (pulled from his website) would be appearing in the book. Now he is peeved and has made several demands. (No permalinks, so check out the long Dec. 9 entry.) (Thanks Buzz)The LA Times unveils its Favorite Books 2008.Google’s year-end “Zeitgeist” of 2008 search activity. Breaking Dawn the unsurprising top search.Recently discovered aggregators of quality content: The Browser and Give Me Something to Read.This week’s Wikipedia treat: a gem of alternative punctuation: the “irony mark.” In the history section of that entry, take note of the “doubt point, certitude point, acclamation point, authority point, indignation point, and love point.”Scott gets to the bottom of the striking new cover designs on Dalkey Archive Press’ books.NPR features an excerpt from Firmin, a Millions favorite (and former LBC pick) that is soon to be published in a new edition by Delta, a Random House imprint.The Association of American Publishers teams with several celebs to create BooksAreGreatGifts.com and accompanying YouTube vid. “Books make great gifts because they are an amazing way to kill time while your web site is buffering.” – Jon Stewart. (thanks Laurie)
Capital G
“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)