When tragedy hits, what do we read? In the wake of the Notre Dame fire in Paris, at least, the answer is 19th-century fiction: Victor Hugo’s classic novel The Hunchback of Notre Dame has risen to the top of France’s bestseller list, with multiple editions of the book filling five out of the top 10 slots. As this Guardian article points out, many critics have suggested that the cathedral is the true protagonist of the novel—and, obviously, of the Disney adaptation.
Marjorie Liu is the author of Monstress, a new comic from Image. In her free time, she has also earned a law degree and published over twenty novels, novellas, short stories, and comics. Hear what she has to say about diversity, the body, and writing. You could also read our review of The Best American Comics 2014.
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
Some say 2012 was “the year of the e-single,” and Laura Hazard Owen is here to explain why. While on the topic, you might want to check out Epic Fail, which was our debut into the world of e-singles. Author Mark O’Connell recently sat down with Hazlitt to discuss the book – as well as Guy Fieri.