In her new poetry collection, Oculus, Sally Wen Mao explores various subjects from Anna May Wong to Wong Kar-wai to personhood to objecthood. Anne A. Cheng interviews Mao for Bomb Magazine, and they discuss how these topics merge in her confessional poems. Sally Wen Mao discusses art’s role in redeeming history and reimagining “lost moments, the feelings never expressed, the secrets never surfaced,” Mao writes. “I think that it’s possible for art to reckon with and mourn this loss even as it imagines or recovers what has been lost. I think it’s possible to simultaneously arrive at both.”
Brittany Oliver listed the “6 Most Influential Women Writers You’ve Never Heard Of” for PolicyMic, and she’s right. I’ve only heard of two of them.
“Perhaps postcards best capture a nostalgia inherent to the passerby.” Our own Bruna Dantas Lobato writes about literary postcards and how we imbue images with our own meanings for Ploughshares. You could also read about images that inspire authors from another one of our staffers, Edan Lepucki.
“It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for ‘Camera Obscura’ shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)” John Colapinto looks at Nabokov‘s retranslation of Laughter in the Dark for The New Yorker.