What happens when one of the “Big Three” science fiction writers decides to take on the most widely-read book in the world? Over at Open Culture, Josh Jones takes a look at Isaac Asimov‘s “fun, chatty, non-academic” exploration of The Bible. “[Asimov] explains that while humans are inherently irrational creatures, he nonetheless felt a duty ‘to be a skeptic, to insist on evidence, to want things to make sense,’” Jones writes. “Part of that duty, for Asimov, included making the Bible make sense for those who appreciate how deeply embedded it is in world culture and history, but who may not be interested in just taking it on faith.”
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.
Those who watch the book deal emails from Publishers Lunch know that Chad Harbach, an editor at n+1, recently sold his first novel, The Art of Fielding, but a Bloomberg article today reveals it went for an eye-popping $650,000. The book centers around baseball at a fictional Wisconsin college, and Bloomberg pegs the deal as “one of the highest prices for a man’s first novel on a topic appealing to a male audience.” Possible buried lede: n+1 compatriots Benjamin Kunkel and Keith Gessen saw their first novels sell 48,000 and 7,000 copies respectively, according to Neilsen BookScan.
“Welcome to the resistance, bunny.” Currently sold out on Amazon after topping the book charts for days, The New Yorker writes about John Oliver‘s charming children’s book, A Day in the Life of Marlon Bundo. Pair with: an essay about reconnecting with childhood favorites as a parent.