In Hilary Mantel‘s award winning Tudor trilogy, she has a grand total of five characters named Thomas, three Catherines, three Marys, and two Annes. How does Mantel juggle the task of writing these characters without confusing the reader? For The Atlantic, Nina Martyris examines books that are rife with characters with similar-sounding names, including One Hundred Years of Solitude and Anna Karenina. “The overlapping of names is an all-too-common occurrence in life,” writes Martryis. “True, it can cause confusion (especially for the accounts department), but if fiction’s grand purpose is the mimesis of la condition humaine, shouldn’t writers be nudged to accommodate this inconvenient reality, rather than dodge it for fear of taxing the reader?”
This week, Football Book Club will be reading Pulitzer Prize winner Steven Millhauser’s Edwin Mullhouse, as well as posting essays about Going Clear: Scientology, Hollywood, and the Prison of Belief by Lawrence Wright, lamenting the awful truth about life without the NFL, and probably marveling at the insanity of L. Ron Hubbard.
Out this week: The Dark Dark by Samantha Hunt; The Epiphany Machine by David Burr Gerrard; Like A Fading Shadow by Antonio Muñoz Molina; Beautiful Animals by Lawrence Osborne; The Dog’s Last Walk by Howard Jacobson; and Less by Andrew Sean Greer. For more on these and other new titles, go read our just-published book preview.
All six of the forthcoming films previewed by The Week’s Kerensa Cadenas look outstanding, but of particular relevance to Millions readers is The Invisible Woman. The film, which is an adaptation of Claire Tomalin’s biography of the same name, follows the life of Ellen “Nelly” Ternan (Felicity Jones), an actress who met Charles Dickens (Ralph Fiennes) and became his secret mistress.
Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”