Carolyn Keene, a name recognizable to most as the author of the Nancy Drew series, has never existed. By now, it’s a well-known secret that the popular mystery series was penned by an ever-changing cast of ghostwriters, ever since Nancy’s creation in 1930 by publisher Edward Stratemeyer. For CrimeReads, Radha Vatsal takes a look at Carolyn Keene’s many identities and how, in the end, it doesn’t matter who wrote the books. “Having a single name like Carolyn Keene attached to the Nancy Drew books helps reinforce a sense of consistency,” Vatsal explains, “and smooths over the reality that each volume had been worked over by many hands before it appeared in print.”
“In his column, Manjoo goes on to call out virtual reality for being ‘a lonely, anti-social affair’—but, hey, isn’t that what reading a novel used to be? I mean, before we figured out how to make books ping and arouse competitive instincts by flagging favorite passages of readers who got there before we did. (I don’t mean to harp on Farhad Manjoo or to denigrate his excellent work; his reticence is shared by others in both legacy and new media cautioning against VR.)” It looks like VR is in desperate need of good storytellers.
Remember back in 2011 when Steven Soderbergh made that list (PDF) of every movie, TV show, book, play and short story he had watched that year? Well according to his recent interview with New York Magazine, the book he most recently finished is Paul Murray’s Skippy Dies. (And what a coincidence! The book Murray most recently blurbed is Epic Fail, our first Millions Original.)