For the Guardian, Lulah Ellender reflects on her own (imagined) literary rivalries and looks at famous competitive pairs throughout history, including Gertrude Stein and Ernest Hemingway, Gore Vidal and Truman Capote, and Virginia Woolf and Katherine Mansfield. “In classical stories of rivalry, revenge is enacted violently, often ending with a morally justified death. In the literary world things don’t usually get that far,” Ellender notes, “though Richard Ford shot a hole through one of Alice Hoffman’s books after she gave him a bad review, and Marcel Proust and Jean Lorrain had an actual duel.”
“It is difficult for them to understand why a successful black woman would choose to return to the South and, worse yet, to Mississippi, which looms large in the public’s imagination for its racist depredations, and rightfully so.” For Time magazine’s American South issue Jesmyn Ward writes about her decision to return home to Mississippi.
Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.