The founder of Well-Read Black Girl, Glory Edim, spoke to HuffPost‘s “We Built This” series on her passion for literacy and the urgency of protecting black women: “There’s a vastness to blackness that needs to be recognized, especially in media, especially in literature, in film. […] We need more artists who are willing to share their imaginations with us and see blackness in a more beautiful and profound way.” Our own Martha Anne Toll recently spoke to Edim as well about the recent Well-Read Black Girl anthology.
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
The international popularity and utility of English doesn’t show any signs of slowing, but what will the language look like after a few generations of increasing usage? The Economist gives a brief answer, but it doesn’t address the ways English is or will be used by different people to tell their stories. Damian Fowler addresses this when he asks, “[W]hat does it mean to have an American point of view,” or to call a book American in tone, as opposed to British or just English-language? In a blog post for The Paris Review, Fowler offers an answer: American novels are characterized by “a spare, sure sense of narrative, reflected in a colloquial voice, free of affectation.”