For LitHub, Elizabeth McCracken proposes, at last, a unified theory of doughnuts: “Perhaps I cling to doughnuts because doughnuts still exist in the world, though Woolworth’s and Howard Johnson’ses don’t.”
“… Stop talking about diversity and start decolonizing our shelves.”At the Winter Institute 2018 (Wi13), keynote speaker Junot Diaz lambasted the publishing industry for talking — but doing little else — about diversity in literature, and implored librarians and booksellers to fill their shelves with diverse books. From our archives: an essay on race, gender, and Diaz’s writing.
New Directions has just released The Complete Stories of Brazilian legend Clarice Lispector, newly translated by Katrina Dodson and edited by Benjamin Moser. There are eight stories in the collection that had never before appeared in English: “Covert Joy,” “Remnants of Carnival,” “Brasília,” “Beauty and the Beast or The Big Wound, “One Day Less” (one of the two final stories left in manuscript at Lispector’s death), “Gertrudes Asks for Advice,” “Another Couple of Drunks,” and “The Escape.” Check out Magdalena Edwards‘s Millions review of the collection.
The New York Times recommends eight new books it thinks you’ll like, including Alan Moore‘s Jerusalem, which we reviewed last month, and two novels – Jonathan Lethem‘s A Gambler’s Anatomy, and Jade Chang‘s The Wangs vs. the World – that were on our own most-anticipated October list.
Like YA novels? Harbor a certain affection for the book publishing arm of McSweeney’s? Then you’re the prime audience for this excerpt of The Mermaid in Chelsea Creek, Michelle Tea’s contribution to the publisher’s new Mullens imprint. (Naturally, it’s the first in a trilogy.)