The new year ushered in more than soon-to-be-broken resolutions. This January 1, a vast cache of works released in 1923 entered the public domain—including tens of thousands of books. Here’s how to download them for free, and here’s what all this means for publishers and readers alike. Happy hunting.
What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
“Driving hundreds of miles at a time… uncorked the forgotten joys of my undergraduate years—chief among them the fantasy that simply buying a book guarantees that it will get read.” Ted Trautman on going on a book-buying binge during a cross-country road-trip.
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.
In the mid-90s, David Foster Wallace published a scathing review of a John Updike novel, Toward the End of Time, that became a key text for critics of the celebrated author. Now, at The New Republic, David Baddiel argues that Updike gets a bad rap, while Jeffrey Meyers backs up DFW’s position. It might also be a good time to read James Santel’s review of Updike’s Collected Stories.