For Buzzfeed Rachel Vorona Cote explores Eve Babitz and the white literary It Girl. “Readers, particularly literary women in their twenties and thirties, seem to be entranced by this child of Hollywood, who unabashedly relished her LA milieu and both chronicled and defended its paradoxes. But it’s still a milieu that flattens the city into one that is homogenous, wealthy, and white.” Pair with this essay about her novel Sex and Rage.
“Think of landscape. Think of how elements come to be attached to one another, how it’s impossible to separate the road from the field, the field from the tree, the tree from the water, the water from the sky. We cannot attribute natural features to the lines we design just as we cannot attribute natural causes to those dying as they try to cross them.” For Tin House, Portuguese writer Susana Moreira Marques meditates on the concept of borders and Wolf Böwig’s photography project, “Borders and Beyond.”
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
In the Times, Dwight Garner reviews the new edition of Bartlett’s Familiar Black Quotations, a compendium of quotes from notable black writers dating from ancient times to the present. Among other figures, Thurgood Marshall, Ralph Ellison, Zora Neale Hurston and Cory Booker all have quotes in the book.
“Echoes are etched into the pages thanks to margin-scrawled notes, a yellowed coffee splatter or sticky peanut-butter-and-jelly fingerprints.” In her project “Expired,” photographer Kerry Mansfield documents the life of library books. We suggest pairing The Guardian‘s gallery of her photos with our own Jacob Lambert‘s “Open Letter to the Person Who Wiped Boogers on My Library Book.”