Books from their own imprint we hope. “In the last decade, in fact, the celebrity imprint has become something of a cottage industry, an endeavor mutually beneficial to publishing houses in pursuit of stars and their lucrative fanbases and celebrities looking for another feather in their cap.” Some of the celebrities on this list might surprise you, read on to learn about which ones have a publishing imprint.
What Do Celebs Read?
Reading is a Kafkaesque Experience
In the latest entry in By Heart, the Atlantic series we’ve written about a few times, Ben Marcus (who recently came out with a new book) reflects on the true meaning of the word “Kafkaesque.” Marcus interprets Kafka’s “A Message from the Emperor” as a parable about the difficulty of real human connection. (Related: there’s now a Kafka video game.)
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Beauty Isn’t Logic Isn’t Beauty
Symmetry’s addictive. Beethoven sought it in the order of chords, Einstein in the logic of theory. Countless writers, too, have sought its imprint in the perfect mot juste. In Aeon Magazine, Philip Ball pleads fervently against the pursuit of beauty in logic, and logic in beauty. “There’s a reason why our galleries are not, on the whole, filled with paintings of perfect spheres… the search for an ideal, perfect Platonic form of the table amid spirals, hypercubes and pyramids has an air of desperation.”
The Real World
Recommended Reading: Tyler Stoddard Smith’s satirical essay on the new literary movement “The Real Newism” at Hobart. “Did Virgil go to hell? No. Did Virginia Woolf go to Disney World? No, and it turns out that Orlando isn’t a place, but a dude. And did Truman Capote ever have breakfast at Tiffany’s? Yes, but the eggs Benedict was cold and the bloody marys were ‘bullshit.'”
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On Children’s Lit
“Insatiable Maw”
“In recent decades the traditional outlets for individual short stories have dwindled, with literary magazines closing or shrinking. But the Internet has created an insatiable maw to feed.” Why both the Internet and electronic devices might be good for the short story.
The Book of Exodus
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.
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