Books from their own imprint we hope. “In the last decade, in fact, the celebrity imprint has become something of a cottage industry, an endeavor mutually beneficial to publishing houses in pursuit of stars and their lucrative fanbases and celebrities looking for another feather in their cap.” Some of the celebrities on this list might surprise you, read on to learn about which ones have a publishing imprint.
What Do Celebs Read?
Romeo and Juliet Redux
Considering the sheer volume of references in the cultural air, you probably believe you have a pretty good grasp of Shakespeare’s Romeo and Juliet. To this I say, hold up there, Straw Man Reader — Ye Olde Romance That Could has more to it than you think.
●
●
Something Cannibalistic
“When it comes to the personal essay, we want so much and there is something cannibalistic about our desire. We want essayists to splay themselves bare. We want to see how much they are willing to bleed for us. This desire introduces an interesting tension for essay writers. How much should they bleed, and how much blood should they save for themselves?” Roxane Gay reviews Meghan Daum‘s The Unspeakable and reflects on the personal essay for The New York Times Book Review. Pair with our own Hannah Gersen‘s Millions review of the same book.
The New York Times Online Subscription Plan Details Are Here
The Times has announced its long-awaited (and -feared) digital subscription plan: “Under the plan, which begins on March 28, visitors to NYTimes.com will be able to read 20 articles a month free. The most frequent users will pay $15 a month; print subscribers will have unlimited access.” A letter to readers about the plan from Publisher Arthur Ochs Sulzberger Jr.
●
●
RIP Seamus Heaney
Nobel laureate Seamus Heaney passed away this morning. Here are some of our favorites from the Irish poet: his original poem “Oysters,” a reading of his translation of Beowulf, and his views on Ireland’s politics.
Inquiry and Imagination
At The Nervous Breakdown, Micah McRary talks with Leslie Jamison about her use of POV, her new book of essays and whether her criticism might be dubbed “evasive biography.” You could also read our interview with Jamison or else read Ryan Teitman’s review of The Empathy Exams.
●
●
Anxiety of Influence
“Cursed Child … is an act of overreach that feels mandated not by [J.K.] Rowling’s desire to fill out details but by an entertainment industry intent on reviving and rebooting anything that’s ever made money.” Sophie Gilbert reviews Harry Potter and the Cursed Child for The Atlantic.
●
●
A Good Character Is Hard To Find
I’ve told you about The Atlantic’s By Heart series plenty of times before. This week brings us novelist Paul Lisicky taking a close look at how Flannery O’Connor’s “flawed” characters are the ones we find ourselves drawn to most.