“It is difficult for them to understand why a successful black woman would choose to return to the South and, worse yet, to Mississippi, which looms large in the public’s imagination for its racist depredations, and rightfully so.” For Time magazine’s American South issue Jesmyn Ward writes about her decision to return home to Mississippi.
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.
“Rockslide Sky,” an exhibition of art inspired by Roberto Bolaño‘s story “Gomez Palacio,” has just completed its run at Fordham University’s Center Gallery/Lipani Gallery…but a slideshow lives on in cyberspace. (I like feel this one would have made a nice cover for Last Evenings on Earth, but Bolañophiles may want to click through all 18.)
“These are terrific diversions, but their status next to the book is a little ambiguous. Isn’t using animation to advertise a book a little like using sculpture to promote poetry?” asks Lindesay Irvine in this article about book trailers in The Guardian. If you’re looking for a diversion, this video short based on César Aira‘s Ghosts is certainly worth watching.