Vanity Fair explores the change in attitude among the literati about writing for TV and notes that “[I]ncreasingly, the industry is ransacking bookshelves for adaptable novels and short stories. And fiction writers are becoming show-runners themselves.”
No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.
Remember the Rudyard Kipling poem where he says the British government should be scalped? We don’t either. However, a forthcoming book of lost Kipling poems, 100 Poems: Old and New, shows his anti-establishment side. An excerpt from the aforementioned poem, “Laudatores Actoris Empti:” “Come, let us lightly scalp the brood / Of ‘educated middle classes’ / Who, much perplexed with ‘views’ and ‘goals’ / Now govern London – and our souls”
Point: “Repeated surveys show that children spend less time reading than did previous generations. They instead devote many hours of their waking lives to electronic screens of one kind or another.” Counterpoint: “Generation Y, those born between 1979 and 1989, spent the most money on books in 2011, taking over long-held book-buying leadership from baby boomers…with 43 percent of GenY’s purchases going to online channels, they are adding momentum to the industry shift to digital.” Conclusion?
What if the next crisis to hit the headlines brings an end to the world as we know it? It’s a mind-bending thing to contemplate, but it’s what our own Emily St. John Mandel tackles in Station Eleven, which made it up to the final five of last year’s National Book Awards. On a new episode of The Takeaway, Emily talks about the novel, exploring what’s left when civilization withers away. You could also read our interview with Emily about the book.