Vanity Fair talks to renowned book critic Michiko Kakutani about her debut The Death of Truth and why she decided to become an author.
When A Critic Becomes An Author
Inspiration, Via Goat
Literary prizes are nothing new, but prizes that give writers real estate are a thoroughly modern development. At Salon, Michele Filgate investigates our odd new economy, in which lucky writers win leases to homes, inns and (in one case) a goat farm. You could also read our own Nick Ripatrazone on the Amtrak residency.
Cultural Confusion
Over at Broadly, MariNaomi talks about heritage and her graphic memoir, Turning Japanese. Pair with Mia Nakaji Monnier’s Millions interview with the author.
Careless Drivers
Can’t keep track of who is driving which car in The Great Gatsby? Pop Chart Lab made a chart of the comings and goings of the novel’s characters via trains, cars, and feet.
●
●
Airport Casualties
“I would venture to assume that all Muslim Americans felt the weight of this paradox in the years after September 11th, and never more so than when at the airport.” On the post-9/11 world, over at The Rumpus.
●
●
The Fairy King
Ian Thompson for The Telegraph has written a fantastic, comprehensive piece on the fabulous allure of the Cuban-born, Italian writer Italo Calvino. Head back to The Millions for a couple of pieces on Calvino’s sixth memo and science fiction masterpiece, respectively.
●
●
How to be a Good Literary Loser
Rick Gekoski, previously shortlisted for the PEN/Ackerley prize, talks about what it means to be a good literary loser, at Guardian: “And as soon as the winner is announced and it isn’t you,” Colm Tóibín observed, “the cameraman just walks away, and you are left there at the table trying to look composed, and you want to die.”