There There by Tommy Orange is one of our most anticipated books of the year. It debuts next week and this week Orange receives the New York Times treatment along with a few other rising star indigenous writers in an excellent profile. “Mr. Orange is part of a new generation of acclaimed indigenous writers from the United States and Canada who are publishing groundbreaking, formally innovative poetry, fiction and prose, shattering old tropes and stereotypes about Native American literature, experience and identity. Their ranks include poets like Layli Long Soldier, Natalie Diaz, Joshua Whitehead and Tommy Pico, and the essayists and memoirists Elissa Washuta and Terese Marie Mailhot.
Emily Witt checks out Melville House’s new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”
We’d like to introduce you all to our new intern, Ujala Sehgal, who beat out 50+ other applicants for the position. Ujala lives in Manhattan and recently left a nascent career in corporate law to travel and focus on her writing. Her first full-length piece, about negotiating one’s limitations as a reader and writer, has been published today. Welcome Ujala!
What is it like to work for a major book publisher? In an excerpt from the new reprint of her My Misspent Youth, Meghan Daum discusses the myth of the glamorous editorial job, one in which no time is wasted reading self-help books and unauthorized biographies of cable stars. As she explains it, “We’re secretaries fully versed in Derrida, receptionists who have read Proust in French.” Also check out our own Hannah Gersen’s review of Daum’s latest essay collection The Unspeakable.
Lisa Peet at Open Letters Monthly / Likefire blog on Millions contributor Sonya Chung‘s novel Long for This World: “When a novel, particularly a debut novel, is referred to as ‘ambitious,’ there’s usually an implicit ‘but’ present… Chung takes on the dynamics of family—what draws it together and what pulls it apart—through the eyes of a number of players, male and female, old and young, Korean and Korean-American. Both her subject matter and her approach are ambitious, to say the least. The only ‘but’ in my reaction, however, is but she pulls it off—and admirably.” Read the full review.