“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
Global Fame for a Literary Icon
What Kind
At Boston Review, check out a new poem from Maggie Nelson. At The Millions, Leslie Jamison includes Nelson’s Bluets and The Art of Cruelty in A Year in Reading.
●
●
The End of Marcus Books
The novel might not be dead, but some independent bookstores are struggling to stay alive. Last week, we reported that America’s oldest LGBT bookstore, Giovanni’s Room, is closing soon. Now, America’s oldest black bookstore, Marcus Books, has received an eviction notice. The 54-year-old bookstore is a mainstay of San Francisco’s African American Fillmore District but hasn’t been able to pay its rent for a while.
●
●
The Books That Shaped America
Mark Dimunation was on the committee that selected the 88 books for the Library of Congress’s current “Books That Shaped America” exhibit. Recently he did an interview with NPR‘s Lynn Neary in which he explained how he arrived at his decisions to include such works as Goodnight Moon, The Joy Of Cooking, and Uncle Tom’s Cabin.
●
●
The Best Case for Cloning
A 27 pound lobster has been caught off the coast of Maine. Now, who’s going to be the first to come up with a 50 pound dab of butter?
Hop on the Raft
For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
●
●
●
●
Deeper into the “Twungle”
Margaret Atwood considers her experience of Twitter and describes how the wilderness of the online world is spilling over into her physical reality.
●
●