“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
Global Fame for a Literary Icon
Make Your Own Aphrodisiacs
Husband and wife writing duo Matthew Seal and Julie Bruton-Seal will launch their new book, Make Your Own Aphrodisiacs, just in time for Valentine’s Day. The couple, who live in Britain, (and who are by no means spring chickens), are encouraging people to look at natural ways of boosting their libido and to remove some of the myths and taboos surrounding aphrodisiacs.
A Sentimental Journey
E.V. de Cleyre writes for Ploughshares about sentimentality. As she puts it, “It is not enough to have a feeling and express it—we must exercise discernment, ask what these feelings we’re feeling are, dissect them, and find the language that matches how they look, feel, smell, and taste.” Pair with this Millions essay on literary sentiment.
Engage, Don’t Just Talk
“Perhaps no part of the First Novel Experience is as confusing and overwhelming as figuring out how to balance the demands of social media with the demands of writing more fiction.” Martha Woodroof talks with Lydia Netzer about social media in the world of publishing and book promotion. Their advice? “Try to be funny as much as you can. Try to participate in conversations, not just start your own. Try to engage, not just talk.”
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Highly Recommended
The New York Times recommends eight new books it thinks you’ll like, including Alan Moore‘s Jerusalem, which we reviewed last month, and two novels – Jonathan Lethem‘s A Gambler’s Anatomy, and Jade Chang‘s The Wangs vs. the World – that were on our own most-anticipated October list.
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Suspenseful Degree Program
City University in London is launching the UK’s “first creative writing masters dedicated to crime and thriller novels.” The degree program will allow 12 to 14 students to focus on crime writing, the UK’s second biggest genre, which raked in £87.6m in 2011.
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The Myth of the Recluse
Nathan Bransford points out that nobody is “just an author.” Even Thomas Pynchon promotes himself.
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