“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
Global Fame for a Literary Icon
Comic Macbeth
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Type In Your Own Handwriting
Galley Cat links to an online program that allows you to turn your handwriting into a computer font – so you can literally type in your own handwriting.
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The War on Baby Girls
We’re headed toward a future with a “biologically unnatural excess of males,” writes Nicholas Eberstadt. Indeed, “It’s a girl” can be recognized among “the three deadliest words in the world.”
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She Totally Did
“‘I can hold my own in the bedroom and the boardroom,’ she said to no one, and to everyone. ‘You should never underestimate me.’ She took off her blonde ponytail and shook her hair loose; there was another blonde ponytail underneath it.” There’s no better time than now to revisit Mallory Ortberg’s classic, unbelievably funny piece “A Day in the Life of an Empowered Female Heroine” from The Toast.
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New Dyer Book
Word of a new book from Millions fave Geoff Dyer has just emerged. (Edit: new in the U.S.; it’s been published previously in the U.K.) The Missing of the Somme, due in August, is a “meditation on World War I.”
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John Carey on William Golding
In The New York Times, Dwight Garner reviews John Carey’s biography William Golding: The Man Who Wrote “Lord of the Flies”: “It may not be a surprise to learn that the British novelist … did not have a happy childhood. But the details will put a sweat on your forehead.”