“It was only in 1987, when she went to National Taiwan University, that the censorship laws were relaxed. Yet the censorship laws seemed to have an opposing effect on her literary ambitions. ” Meet Qiu Miaojin, the first woman in Chinese literature to come out as openly gay. Ankita Chakraborty at Longreads has more on this remarkable writer.
“Nathan Englander’s characters have invented ‘the Anne Frank game’ whose major question is ‘who would hide you if there were another Holocaust.’ By making this a game, the characters demonstrate their affective distance from the event, but at the same time Englander illustrates that the Holocaust remains a touchstone for the marijuana-smoking, Orthodox Jews who bring the game to their secular Jewish friends.” On the fictional afterlife of Anne Frank.
Mark Seal explores the ongoing legal battle between Harper Lee and Samuel L. Pinkus, the latter of whom is said to have “’engaged in a scheme to dupe Harper Lee, then 80-years-old with declining hearing and eye sight, into assigning her valuable TKAM [To Kill a Mockingbird] copyright to [Pinkus’s company] for no consideration,’ and then created shell companies and bank accounts to which the book’s royalties were funneled.”
The University of Iowa’s International Writing House is offering a free 7-week virtual poetry seminar this February. The course will be taught be poet Margaret Ross, and it is open to anyone with an internet connection. Attendance will be capped at 15, however, and the deadline for applications is January 28th. More details can be found here.
Christopher Lee, perhaps best known to American audiences as the man who played Count Dooku (Star Wars) and Saruman (Lord of the Rings), is also an accomplished singer and musician. Evidently, he’s also quite literary, as his most recent project — The Metal Knight — demonstrates. To wit: the album was inspired by Don Quixote. (Trailer here.)
Susan Sontag once wrote that the truest way to portray illness was without metaphor. Our own Marie Myung-Ok Lee takes a look at autism in recent literature and the ways its writers (ranging from Don DeLillo, Jonathan Lethem, and Louise Erdrich) have often reduced those with autism to a literary construct.