Tom Wolfe, known as much for his personal as his narrative style, died on Monday of this week, reports The New York Times. An author of both critically and commercially acclaimed fiction — The Bonfire of the Vanities — and non-fiction — The Electric Kool-Aid Acid Test — Wolfe was a mandarin of the New Journalism style that first became ascendant in the 1960s. Several of his books (including Vanities and The Right Stuff, about the early days of the U.S. space program) also became successful films. We reviewed Wolfe’s 16th book, The Kingdom of Speech, in 2016, as well as his 2012 novel Back to Blood, noting that in classic Wolfe-ian form, the latter “is obsessed with cultural abrasion, with the way different classes and races vie for power.”
Tom Wolfe, 1930-2018
Short Stories for the 305
WLRN-Miami Herald News is soliciting writers of flash fiction, extremely short nonfiction, or prosaic poetry for “VERY brief” stories: “As in 305 words or less — ‘3-0-5’ being at one time the area code for entire state of Florida.”
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Reading and Rock and Roll
The latest episode of WNYC’s Soundcheck features Jennifer Egan discussing her rock-inflected novel A Visit from the Goon Squad and Bookslut’s Michael Schaub talking up other “essential rock fiction.” (Thanks, Derek)
Egyptian Writers on the “Unfinished Revolution”
In the run-up to the Egyptian elections, writers and booksellers discuss the military clampdown following Mubarak’s fall.
There’s Even a Cash Prize
“Without your micro-fiction, we’re like a flightless bird, sauceless noodles, or decarbonated LaCroix. We loved the response to our last contest so much that, naturally, we’re having another one.” Submit your 200-word stories of separation to Paper Darts for its second annual micro-fiction award, judged this time around by Lesley Nneka Arimah (whose What It Means When a Man Falls from the Sky graced our most-anticipated list for the first half of this year).
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The Pathways of an Essay
Recommended Reading: E.V. de Cleyre writes for Ploughshares about the essay form and its familiar shapes.
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Crying with John Green
Watching your book be adapted into a film can be a challenge for an author. At Vulture, John Green discusses his involvement in The Fault in Our Stars adaptation, which he has nothing but positive things to say about. “It was a joke on the movie that I cried every day. But I cried every day because they were good every day!” The film’s full trailer was released this week, and in case you still haven’t read the novel, here’s our review.
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