“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.
Lots of new releases this week, among them a new paperback edition of Tenth of December by George Saunders. Also out: Leaving the Sea by Ben Marcus; The Radiance of Tomorrow by Ishmael Beah; On Such a Full Sea by Chang-rae Lee; The Scent of Pine by Lara Vapnyar; The Invention of Wings by Sue Monk Kidd; The Secret History of Las Vegas by Chris Abani; and Little Failure by Year in Reading alum Gary Shteyngart. For more on these and other new titles, check out our Great 2014 Book Preview.
Celebrate today’s arrival of John Irving’s new novel Last Night in Twisted River by seeing where it falls on Wikipedia’s John Irving recurring themes matrix. Also new today is Paul Auster’s Invisible and a new collection of Paris Review interviews (including, among others, Marilynne Robinson, Haruki Murakami, Philip Roth). Speaking of Roth, his new novel The Humbling came out last week.
Nobody wants to be a Hufflepuff! Over at The Atlantic, David Sims defends the oft-maligned Harry Potter house for their egalitarian ethos and general goodness. At The Millions, Michelle Dean’s essay about the value of J.K. Rowling’s Potter series will have you wanting to give them a re-read.
A few days ago, Amazon announced the launch of their new “@Author” feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I’ve broken out in a cold poststructuralist sweat about this over on The New Yorker’s Book Bench blog.