“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.
Timely Books?
Book-Related Internet Graphics
Today in book-related graphics: The Arts Shelf has created an infographic measuring famous literature by word count, and The New York Times provides a handy, illustrated guide to any writers’ retreat, complete with authors’ cloisters and an “emergency idea generator.”
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The Long Littleness
A young Apollo, golden-haired,
Stands dreaming on the verge of strife,
Magnificently unprepared
For the long littleness of life.
See the poet (in later life) here; and the poet-soldier about whom she wrote, here.
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An Eastern Bloc Monument
Cheers to Joshua Cohen for this early look at Péter Nádas’ mind-bending magnum opus, Parallel Stories. Our own review will appear sometime in 2014, when we finish reading. (But we can already say that all 1,100-page novels should begin, as this one does, with a dead body.)
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Labyrinths
Recommended recommendations: “Five books that are also labyrinths,” including Italo Calvino‘s The Castle of Crossed Destinies and Lily Hoang‘s Changing.
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The Millions on Facebook
Hey! Are you a fan of our Facebook page? If not, you’re missing out on some unique, international Millions content – like this shelf section Nick Moran spotted in a Kaohsiung bookstore, or this brand of “literary” whiskey discovered by Thom Beckwith in Ireland.
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The Flowers of the Caper
You will not want to miss these fragments on writing, publishing, and remaining anonymous by the enigmatic Italian writer Elena Ferrante. This Millions essay by Cora Currier on reading Italy through Ferrante’s work pairs quite nicely.
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