“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.
Everybody lies, or so the saying goes. But how long have we known this was true? At Slate, Katy Waldman reviews a new history of lying, delving into the knotty philosophy behind efforts to excuse deceit. You could also read our own Edan Lepucki and Janet Potter on deceit as it pertains to Gone Girl.
New this week: The High Mountains of Portugal by Yann Martel; The Book of Memory by Petina Gappah; Youngblood by Matthew Gallagher; Black Deutschland by Darryl Pinckney; The Collected Novellas of Stefan Zweig; A Decent Ride by Irvine Welsh; Don’t Lose Track by Jordannah Elizabeth; and The Queen of the Night by Alexander Chee (who we interviewed this week). For more on these and other new titles, go read our Great 2016 Book Preview.