in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
They’re Burning Books
Everyone’s Writing
“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
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Kafka’s Hidden Manuscripts
The Independent reports on the unpublished works found within Kafka’s safety deposit boxes, and why the hidden manuscripts have long been tied up in Kafkaesque red tape. (via AuthorScoop)
In Good Standing
This one goes out to all you procrastinators out there. A woman in Auckland, New Zealand has just returned a library book (Myths and Legends of Maoriland) a cool sixty-seven years late–she had “been meaning to return it” for decades. Hopefully she didn’t leave any boogers.
You down with OPP 100?
The 100th episode of Brad Listi’s Other People Podcast is here, and it’s with George Saunders, and they talk about Ayn Rand, grad school, and a lot of other things too.
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All the Pretty Horses
There’s a quiet war being waged against Wyoming’s wild horse population, reports The Altantic‘s Andrew Cohen.
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Rising to the Surface
“In real life, we are often so bound by social convention, but at the same time we all have secret, inexplicable aspects of ourselves. The parts that nobody else sees. In fiction, we are not bound by social convention, so the things that mystify and unsettle are allowed to rise to the surface.” Salon interviews Laura van den Berg about her new novel, Find Me, which we covered in our Great 2015 Book Preview.
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Encyclopedic Knowledge
A transcript of Jorge Luis Borges’s conversation with Argentinian poet Osvaldo Ferrari about the power and pleasure of academic knowledge appears in English for the first time. As Borges explains it, “I think that the encyclopedia, for a leisurely, curious man, is the most pleasing of literary genres.”
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