“I certainly didn’t want to do something that felt as if I was having a séance. I started with her most personal papers. I wanted her interior voice; I didn’t want the formal writing. I went immediately to her diaries and letters and to the commonplace books. From there I started looking at the marginalia because I was getting a sense of wanting to know what was on her mind while she was writing in her journals.” Lynell George conducted a posthumous interview with Octavia Butler, Bomb magazine talked to her about the process. Pair it with this essay on slavery in fiction from our own Edan Lepucki.
Out today are Me and the Devil by Nick Tosches; Raised from the Ground by Jose Saramago; Climates, a newly translated novel from 1928 by French writer Andre Maurois; Spilt Milk by Brazilian writer Chico Buarque; and Alan Light’s The Holy or the Broken about a Leonard Cohen song that Jeff Buckley made famous.
Half-meme, half-myth, ‘Slender Man’ came to us from the same internet that brought LOLcat, doge, and Rule 34. After the surreal stabbing of a 12-year-old girl by two other children claiming they were acting on his behalf, this particular story has taken on a tragic resonance. In The Semiotic Review, Jeffrey Tolbert argues that Slender Man took hold because of the documentary nature of internet ‘evidence’. As one Something Awful blogger put it, “Even if we don’t really believe in [Slender Man], we are cutting him out and sewing him together. We’re stuffing him with nightmares and unspoken fears. And what happens when the pictures are no longer Photoshops?” Very meta–and very scary, all over again.
Between Page and Screen is a collaboration between book artist and poet Amaranth Borsuk and programmer Brad Bouse that experiments with the border between regular old reading and e-reading. The text is rendered in a code that requires the aid of a web cam to unlock its sentences. The work’s creators have been interviewed at imprint.
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”