“I certainly didn’t want to do something that felt as if I was having a séance. I started with her most personal papers. I wanted her interior voice; I didn’t want the formal writing. I went immediately to her diaries and letters and to the commonplace books. From there I started looking at the marginalia because I was getting a sense of wanting to know what was on her mind while she was writing in her journals.” Lynell George conducted a posthumous interview with Octavia Butler, Bomb magazine talked to her about the process. Pair it with this essay on slavery in fiction from our own Edan Lepucki.
It was, in retrospect, only a matter of time until someone spotted the gap in the market and set up a blog dedicated exclusively to images of guys who sort of look like (but crucially are not) David Foster Wallace. A tip of the bandana to Matt Bucher for highlighting this via Twitter.
St. Patrick’s Day is over but there’s always cause to celebrate Irish storytellers. (Plus March is Irish-American History Month!) In this video from Open Road Media, you can listen to Edna O’Brien, Joseph Caldwell, Ken Bruen and T.J. English discuss the components of Irish storytelling that make for such good craic. Also you can check out the Poetry Foundation’s collection of St. Patrick’s Day poems for additional (belated) Irish writing.
“Our culture claims to celebrate vigor and well-being, yet holds up steroid-addled men and impossibly thin women as models of physical perfection. Those of us unwilling to juice or starve ourselves are left feeling inadequate and confused about why we do not bear any resemblance to the humans we are meant to emulate.” Michael Ian Black reviews two books about the male physique — and reveals a bit about the unrealistic nature of our cultural expectations.
Though Franzen would surely argue (in great excess of 140 characters) to the contrary, the excellent introductory essay from the latest issue of N+1 lauds Twitter for “the very last thing to have been expected from the internet: a renovation of the epigram or aphorism, a revaluation of the literary virtues of terseness and impersonality.”