“Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. ” In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
Robert Darnton at the New York Review of Books considers the feasibility of creating a National Digital Library: “I know: the devil can cite Jefferson. Anyone can cull through the papers of the Founding Fathers in order to find quotations in support of a cause. But I can’t resist.”
Writing in The Guardian, Colm Tóibín explores the “inspiring, rivalrous, Oedipal” relationships between authors and their parents. The article’s been adapted from his forthcoming book, New Ways to Kill Your Mother: Writers and Their Families
Shark Week 2013 isn’t for another ten months, but you can satisfy your hunger for tales of nautical catastrophe and man-eating fish with these two databases: WreckSite, a collection of shipwrecks classified by worldwide positions, and The International Shark Attack File, a compilation of “all known shark attacks.”
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.