“Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. ” In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”