New York Magazine has an excerpt up from Zora Neale Hurston‘s long-lost manuscript, Barracoon: The Story of the Last Black Cargo, the first-person account of Cudjo Lewis, the only living survivor of the final slave ship to land in America. Barracoon will finally, 87 years later, be published next week.
At Guernica Magazine, John Sevigny on Francisco Goya and the invention of modern art.
“The International Literary Film Festival (InLiFiFe) shows films from around the world that are about literature.” The festival will commence in Brooklyn’s Spectacle Theater on Monday, November 14th, at 7:30 pm with Luca Dipierro and Michael Kimball‘s 60 Writers / 60 Places.
Do you live near Athens, GA? Come out tonight to support a newly opened indie bookstore: Avid Bookshop. Or, if you can’t make that, hit up tomorrow’s “Kids’ Day” at the same place. They have a Twitter account, too.
“James Schiff, an associate professor of English at the University of Cincinnati, is working on a volume of Updike’s letters and has unearthed thousands of letters, postcards, and notes the author sent to complete strangers who wrote to him.” The Guardian writes about an in-progress book of John Updike‘s letters that reveals how often the writer corresponded with not only his contemporaries, like John Barth and Joyce Carol Oates, but his readers as well. See also: an essay about the personal and literary relationship between Barth and Updike.
“I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes.” Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.