“You’re asking if the Race Memoir, the Gender Memoir, or the Sexuality Memoir will survive market trends. I don’t know, but if I put your question in context with Imani Perry’s idea then yes, it will endure. Will it always be ‘trending’? No, but it will endure.” Just one of many great lines from Kima Jones who, along with Terese Marie Mailhot, Meredith Talusan, Ijeoma Oluo, and Kathryn Belden, discusses the current upswing in books on gender and race for Buzzfeed.
Yesterday, our own Elizabeth Minkel pondered if Twitter fiction could be real art. She cited Teju Cole, a literary Twitter master, but what does he have to say about how Twitter affects his writing? "My memory is worse than it was a few years ago, but I hope that my ability to write a good sentence has improved," he told The New York Times.
"But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief." The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don't Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.
"It just goes to show you: it’s not just luck you need to have a successful literary career. It’s luck, piled on luck, piled on luck again, and around the corner, you need another sprinkling of it" says Michelle Dean, after investigating Stephen King's rise in response partly to Dwight Allen's "Snob Notes" on the author. Colin Dickey and Sarah Langan have both previously weighed on on Allen's essay and King's particular strengths.