A Year in Reading: Chiwan Choi

December 12, 2017 | 11 books mentioned 3 min read

covercoverBooks that I find myself reading at least once a year:

  • 1933 Was a Bad Year by John Fante. My favorite of all his books, maybe my favorite book ever. (And a book that reminds me in good and bad ways about my father.)
  • Creature by Amina Cain. I still don’t know how to describe what this book does to me. Not only does it place me in the world she creates, but also at the same time in the places she leaves out. If that makes any sense. (So excited that her next book is on its way from FSG!)
  • The Collected Poetry by Aimé Césaire. The greatest there ever was for me. (Although this year I didn’t have my copy of the book so I just ended up reading Notebook of a Return to the Native Land online.)

covercovercoverBooks by crazy good poets who are part of this golden age of poetry that is being led by POC and queer poets:

  • Into Each Room We Enter Without Knowing by Charif Shanahan was a collection that I was most excited to read and when I finally did, it killed me in all the good ways.
  • blud by Rachel McKibbens. Speaking of killing me, I had already stopped breathing by page 10.
  • Bone Confetti by Muriel Leung. She’s amazing. This book is amazing. (And new work she’s been working on is goddamn amazing.)

covercoverBooks by poets who live in Pittsburgh:

  • In Full Velvet by Jenny Johnson. Met her and heard her read for the first time in Iowa City. So lyrical I forgot how hard it was punching me. (And she lives literally a block from us!)
  • What’s Hanging on the Hush by Lauren Russell. So happy I got to meet her (at Jenny Johnson’s birthday party!) just a couple of weeks before her book release. A unique and beautiful book and the pieces about the cat had me sobbing.

covercovercoverBooks that came out all around the same time from poets who also happen to be beautiful friends from LA:

coverBooks I loved and don’t know how to categorize:

  • Swallow the Fish by Gabrielle Civil. I feel fortunate to have had my book come out at the same time as this book, both of them from CCM. Read it and if you ever have the chance to see Gabrielle perform, do so. Then read it again. There is nobody like her.
  • Silk Flowers by Meghan Lamb. When I open the pages, my brain says “stories.” Afterward, my memory tells me “poetry.” I guess it doesn’t matter because I don’t even know what that means. All this to say that her writing finds its way into that layer beneath your skin.

covercoverBooks that are coming out in 2018:

  • My Dead Parents by Anya Yurchyshyn. I am not done with it yet because she just gave me an uncorrected proof of it a couple of weeks ago but I am loving it.
  • This Will Be My Undoing by Morgan Jerkins. Halfway through. Damn.
  • Attendance by Rachel McLeod Kaminer & Rocío Carlos. Just announced by The OS, I’ve been fortunate not only to have read the manuscript, but to have published excerpts from it over at Cultural Weekly.
  • Mass by Jo Scott-Coe. A powerful book that explores patriarchy, the church, and gun violence by a writer who has examined these topics for years. It was a book that we (Writ Large Press) were supposed to have published but I ended up dropping the ball badly for various reasons. Glad that it has found a home that it deserves and will be out in the world soon.

There are also all the manuscripts of books still searching for the right publisher or that have just most recently found homes that I have been fortunate enough to read.

I can’t tell whether reading amazing books has made the historically shitty year less shitty or if reading these books has made me realize how shitty 2017 really has been. Either way, it was a shitty year and there were amazing books and ultimately, reading them has always helped me remember I am alive.

More from A Year in Reading 2017

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Don’t miss: A Year in Reading 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005

is the author of The Flood (Tía Chucha Press, 2010), Abductions (Writ Large Press, 2012), and The Yellow House (Civil Coping Mechanisms, 2017). His work has appeared in The New York Times Magazine, Entropy, Spiral Orb and in the anthologies Coiled Serpent, ATTN, and Resist Much, Obey Little. He also wrote, presented, and destroyed the novel Ghostmaker throughout the course of 2015. Chiwan is a partner at Writ Large Press, a downtown Los Angeles based indie publisher, focused on using literary arts to resist, disrupt, and transgress.