This week in the New Yorker Jane Hu analyzes the “dispassionate first-person narrators” prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. “Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian.”
Voices in Asian-Anglophone Fiction
In Memoriam William Trevor
“To get me through a 550-page collection, the stories must be very good indeed. These are.” When Lionel Shriver participated in our Year in Reading ritual several years back, she dedicated her reading diary to William Trevor, who just passed away. “Trevor’s writing is so perfect that you don’t even notice it’s perfect,” she wrote. “He mainlines pure narrative directly into your veins. The words never get in the way; the words, like their author, disappear.”
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Waiting for Lunch Break
“[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]” These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
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E.M. Forster’s Prescient Sci-Fi Story
Gabrielle Bellot examines "The Machine Stops," the sole science-fiction story by E.M. Forster, which contains eerie echos of today's socially distanced world.
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Figuratively Unbelievable
Getting sick of people who overuse the word “literally”? A new browser extension kindly replaces instances of the word with “figuratively.” At Slate, Will Oremus tries out a godsend for pedants. (A Millions piece by Fiona Maazel nicely complements his article.)
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Yes, More Eggers on the Way
Once again, another Dave Eggers novel is coming with barely any notice. Knopf will publish Eggers’s latest, Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, on June 17. The title is longer than the plot description, but the new novel will follow a man named Thomas who interrogates a NASA astronaut about their connection.
Democracy Sausage
“[T]he term was first recorded in 2012, but its use increased significantly during the federal election this year, especially with the popularity of several websites set up to help voters find polling stations with sausage sizzles.” Australia’s word of the year is “democracy sausage,” reports The Canberra Times. Other national choices, according to Mental Floss: postfaktisch, or “post-truth” in Germany, and the 52-letter-long Bundespraesidentenstichwahlwiederholungsverschiebung, or “postponement of the repeat runoff of the presidential election” in Austria.
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Harry Potter and the Teflon Cloak
We’ve been jealous of Harry Potter’s invisibility cloak since The Sorcerer’s Stone. Now scientists can make an invisibility cloak in 15 minutes with Teflon. We’ll never get our Hogwarts acceptance letter, but this is pretty close.