This week in the New Yorker Jane Hu analyzes the “dispassionate first-person narrators” prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. “Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian.”
“Maybe I’m not outraged. I’m exhausted and open and exposed and a lot of other people are too because we are wounds that get picked at and picked at and picked at one day, there won’t be anything left to heal.” At The Rumpus, Roxane Gay writes on the sexism and racism of Seth MacFarlane’s Oscars jokes.
“Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul.” Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed “the most awesome book cover of the summer,” in particular.
“’When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,’ Mr. George said. ‘It may simply come down to wisdom. Like the greats, Edith has it.'” Steve Almond gives an overview of Edith Pearlman‘s writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
Charlaine Harris, author of the Sookie Stackhouse/Southern Vampire Mysteries (recently reincarnated as HBO’s True Blood), talks with Barbara Peters of the Poisoned Pen Press and Bookstore for her interview series “The Criminal Calendar.” See the first of six YouTube installments here. Harris, like her most famous heroine, offers a mix of canny intuition and folksy charm. Asked about the bisexuality of one very old vampire in “the Sookie-verse” she answers Peters, “I figure if you live that long, you might as well diversify. Wouldn’t you get bored, you would think–you’d be willing to try anything if you live that long.”