“[A]n audio odyssey through fiction, archival tape, interviews, and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting-edge writers of our time. Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more!” Did you know The Paris Review has a new podcast? See also: our interview with current TPR editor Lorin Stein.
“Perhaps this is why King favors prose—many of his novels and stories confront terror so enormous it transcends poetic language.” In Poetry Foundation, an essay about Stephen King‘s little known literary habit: writing poetry. Pair with: our editor Lydia Kiesling on discovering America through King’s novels.
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
The Guardian‘s Books Blog is hosting a tournament to determine “The Great American Novelist,” and the list of the final 32 seeded contenders, as voted by the site’s readers, is enough to raise some eyebrows—not as much for who did make the cut as for who didn’t. Guardian readers, haven’t you heard of Richard Yates?
“There are so many ways to look at translation. One that has recently occurred to me is that of a tether: the translator is tethered to the meaning of the original the way an animal can be tethered to a stake. You can’t take off and roam the hills, but you can definitely move around and experience a comfortable degree of freedom.” Asymptote talks with Juliet Winters Carpenter about Japanese tanka poetry, Machi Tawara‘s Salad Anniversary, and the careful balance of translation.
“Rockslide Sky,” an exhibition of art inspired by Roberto Bolaño‘s story “Gomez Palacio,” has just completed its run at Fordham University’s Center Gallery/Lipani Gallery…but a slideshow lives on in cyberspace. (I like feel this one would have made a nice cover for Last Evenings on Earth, but Bolañophiles may want to click through all 18.)
“You don’t feel that most of the people in these incidents do not like black people, but simply are a product of their white supremacy and are exercising it on you without caution, care, or thought.” Solange Knowles wrote an essay and you need to read it. See also: our review of Wild Hundreds.