Thirty-eight letters written from the To Kill a Mockingbird author to a friend from 2005-2010 are up for auction this week, including Harper Lee‘s reaction to Barack Obama‘s inauguration. See also: this close reading of the birds themselves.
The Harper Lee Industry Chugs On
There Will Be Time
The “Millennials are ruining everything” think piece has become a bit of a trope at this point, so it’s refreshing when you find one that says something new. This piece on the serious danger of losing serious readers to their cellphone screens is well worth the read.
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Leading Ladies
“[I]f your kid isn’t reading yet, he won’t know you’re gender-swapping Elliot the elephant.” Lifehacker considers how to get boys to read so-called “girls’ books,” i.e., enjoy books with both male and female protagonists. Pair with T.K. Dalton‘s consideration of gender, childrearing, and reading.
On Remembering and Forgetting
“We have all heard the claim, ‘the victors write the textbooks.’ Among the many ways to unpack the phrase is this: that once upon a time history was bound to and relied on communally agreed upon facts. That is to say, there was not a culture of record the way there is now. There were not cameras and photographs capturing all human movement or digital archives where information was stored in ‘clouds.’ While our methods for remembering have evolved, the ethical question at the heart of recollection remains: how do we tell about the past and who gets to tell it?” Lindsey Drager writes for the Michigan Quarterly Review about memory and storytelling.
Summer Knowledge
Recommended Reading: John Ashbery on just about anything. Specifically, though, this piece on Delmore Schwartz and the pain of poetry is as good a place as any to get familiarized with both writers.
Amy Tan on Being the First for Some Readers
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”