“We break down thirty-nine literary journals and well-respected periodicals, tallying genre, book reviewers, books reviewed, and journalistic bylines to offer an accurate assessment of the publishing world.” This year’s VIDA Count is out.
Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.
In 1980, Julio Cortázar gave a series of lectures at Berkeley, which you can now read in the slim, simply-titled volume Literature Class. Among the highlights? This sentence: “I had lived with a complete feeling of familiarity with the fantastic because it seemed as acceptable to me, as possible and as real, as the fact of eating soup at eight o’clock in the evening.”
Last week, JK Rowling announced that, midway through writing the Harry Potter series, she nearly killed off Ron Weasley “out of spite.” Ron isn’t the first supporting character to narrowly avoid death in an author’s rough draft. The Awl illustrates some of literature’s other close calls with death.
Slang, as readers of Shakespeare know, affects the development of language as much as any genus of terminology. At Salon, Jonathon Green writes about the strange history of English slang, as part of an excerpt from his new book, The Vulgar Tongue. You could also read our own Michael Bourne on the use of “like” in modern English.
” I love the shape of words, I love the comet-tail histories of words. I love the roll and crunch of syllables in my mouth.” In Electric Literature, Laura van den Berg interviews R.O. Kwon about religious fanaticism, “unknowing,” and her upcoming debut novel, The Incendiaries. Pair with: Kwon’s 2017 Year in Reading.
“There has been a growth in the literary depiction of a particular type of friendship, one that has in the past found itself vulnerable to dilution and deflection by the ostensibly more powerful imperatives of heterosexuality and motherhood.” On literary female friendships, from Virginia Woolf to Elena Ferrante and Year in Reading alumna Zadie Smith.