“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.
True Tragedy
Weird: from wyrd
Odds Against Tomorrow author Nathaniel Rich has three words of advice for would-be writers, and he holds those words to be his personal mantra.
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Men Crying Over Poetry
A new anthology celebrates poetry “that moves men to tears,” and it includes the likes of Jonathan Franzen, Ian McEwan, and Salman Rushdie. Meanwhile, for BBC Newsnight, Clive James gets choked up while reading Keith Douglas’s “Canoe.”
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The Casual Vacancy Adaptation
Although we won’t see Hogwarts on screen again, another J.K. Rowling fictional world will be on your TV soon. HBO and BBC are adapting her novel The Casual Vacancy into a three-hour miniseries.
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“Let me eat it all and let me eat it now!”
“McDonald’s, I am here and I am hungry, feed me, let me eat it all and let me eat it now! Oh, what a hymn, what a hallelujah you sing to me, two all beef patties special sauce lettuce cheese pickles onions on a sesame seed bun.” Michael Murray imagines “Jack Kerouac‘s Lost Restaurant Reviews” for Hazlitt and they are absolute joys.
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World of Redundant Forms
Recommended Reading: Over at Electric Literature, Lori Huth writes about Jeanette Winterson and contemporary war metaphor: “I wanted to feel powerful emotions commensurate with the horror of the story behind the images. I wanted to feel bewildered, and to lament, but instead I felt numb.”
Kingsolver Wins the Orange
In a reprise of this year’s Rooster final, Barbara Kingsolver’s Lacuna comes out on top this time, besting Hilary Mantel’s Wolf Hall (and four other finalists) for the Orange Prize.