“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.
“The feminist bookstores in the nation’s largest cities are experiencing the most significant upticks in sales, as well as in foot traffic.” We love bookstores here at the Millions, especially feminist ones. So we were ecstatic to see this piece in Publisher’s Weekly about the bonanza of feminist bookstores seeing an increase in sales and attention. While there are not many of these bookstores left, the ones that are still alive attribute their increased popularity to the ‘Trump bump.’ Read the story here and be sure to visit all the bookstores mentioned the next time you’re in town.
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.
Abdulrahman Zeitoun has been charged with plotting to kill his wife, her son and another man. The protagonist of Dave Eggers’s bestselling (and Millions Hall of Famer) Zeitoun has had a spate of legal troubles since the book’s 2009 release, most of which related to charges of domestic battery. You can read Eggers’s statement on the matter over here. One has to wonder how these ongoing arrests will affect the forthcoming animated film based on Eggers’s book, which was scheduled for a 2014 premiere.
“The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide.” Joshua Rothman writes about the coming “collapse of the genre system” and our own Emily St. John Mandel‘s National Book Award short-listed Station Eleven for The New Yorker.
Some people may not have realized the Oscar nominated Call Me By Your Name was originally a novel. André Aciman wrote an essay for Vanity Fair on the process of watching his novel adapted into film, in particular what it was like watching the scene he calls the most important come to life. Read the essay plus what author Martha Southgate had to say about the novel for her 2007 Year in Reading essay. And then go see the film!