“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.
True Tragedy
Rigoberto González on Teaching the M.F.A.
“I was enrolled in a writing program to imagine a cultured life, not just to dream about the rewards of being a writer.” Rigoberto González for Publisher’s Weekly on why he attended and later returned to teach at a M.F.A. program.
A Supposedly Fun Thing We Aren’t Sure About
David Foster Wallace has become an American legend in his own right, so it makes sense that he’ll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?
Decoding Moments of Tension in Edith Wharton’s ‘The Age of Innocence’
Sam Jordinson reflects on the many moments of sexual tension found in Edith Wharton's Pulitzer Prize-winning novel, The Age of Innocence.
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