Something you didn’t know you needed in your life: a squad of librarians recreating the “iconic” Vanity Fair Kardashian family photo shoot (via The Digital Reader). Also relevant: Alizah Salario‘s piece about the naming of North West.
“It was just one small sign in a bustling city. But it was a sign, nevertheless, that Florence has not forgotten the Brownings after all.” In the New York Times, novelist Ann Mah explored Florence looking for signs of the literary couple who called it home for many years: Robert Browning and Elizabeth Barrett Browning. From our archives: a more sober look at the famed city.
The International Writing Program at the University of Iowa is offering two seven-week online seminars free of charge this summer: Advanced Poetry and Poetry Masterclass. The seminars are intended for emerging and published poets, respectively, and they will be taught by Micah Bateman and Nick Twemlow. Anybody with an internet connection is allowed to apply, and applications are due May 8th.
Is there an indie press that consistently punches up as high and as successfully as Two Dollar Radio? They’re the ones who unleashed The Orange Eats Creeps onto our shelves three years ago, and they followed it up shortly thereafter with the breakout work of Scott McClanahan. Now? Now they’re poised for a threepeat with Shane Jones’s Crystal Eaters, which has already earned its author interviews on Hobart and The Paris Review. (Bonus: TDR’s publisher on moving his outfit to Ohio.)
“Sometimes you come across sentences that are like cairns, evidence the trail continues, and you are so grateful to have found them.” For the Tin House blog Jacob Rubin considers one such sentence from Charles D’Ambrosio‘s Loitering, which our own Hannah Gersen reviewed for the Millions.
“My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort.” Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
Throughout the 80s and 90s journalists turned hip hop into a literary movement. Pitchfork dives into that time and explores their legacy and impact on journalism and other literary forms. “Eager to extend the outer boundaries of their creativity, many of these writers would go on to ink novels, memoirs, short stories, scripts, and poetry, much of which stayed true to the language and attitude of hip-hop, as though their words were drafted to the sound of a boom-bap beat. It all added up to a low-key literary movement that writer and activist Kevin Powell has dubbed, ‘The Word Movement.'” Includes a great reading list at the end.