"There tends to be this idea that every piece and every assignment and every gig is always something speaking from the soul. We think that about great writers, that they’re incapable of doing hackwork." The Rumpus interviewed Michelle Dean about women writers, the research process, and her forthcoming book, Sharp: The Women Who Made an Art of Having an Opinion. Pair with: Dean's 2016 Year in Reading entry.
Jeff Vandermeer's Southern Reach trilogy: a genuinely weird work of ecological fiction, a hyper-object, or a strangely beautiful "glimpse of a whole that’s, by its nature, unknowable"? Joshua Rothman argues for all three in a review for The New Yorker. For more from Vandermeer himself, check out his Millions interview with Richard House, author of The Kills.
Today is Herman Melville's birthday. This October, Tin House will be releasing Matt Kish's Moby-Dick In Pictures. Kish began illustrating Melville's masterpiece in 2009 by "creating images based on text selected from every page of the 552-page Signet Classics paperback edition." You can preview some of the work on the book's designated Twitter account.
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
“New houses get built, and new songs are sung ... and I am the same, in the same trembling state.” Things are not going very well at the newly built Federico García Lorca center in Granada, Spain. Patience is wearing thin as members of the García Lorca Foundation continue tangling with government officials over control of the center, which is intended to house nearly 20,000 items — manuscripts, drawings, musical compositions and artworks valued at more than 20 million euros.
You may remember the brouhaha surrounding Bustle, the first website in history to market primarily to women. Now, in this week’s New Yorker, Lizzie Widdicombe profiles the website, which she describes by pointing out that “[its] articles are modest, but the ambitions of its founder, a young Silicon Valley entrepreneur named Bryan Goldberg, are not.”