Out this week: Dinner at the Center of the Earth by Nathan Englander; Sourdough by Robin Sloan; Border by Kapka Kassabova; A Legacy of Spies by John le Carré; and Sing, Unburied, Sing by Jesmyn Ward. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Englander; Sloan; Kassabova; le Carré; Ward
Today in Irish Poetry
Need a dose of new Irish poetry in your life? The Irish Times (naturally) has you covered. In the Saturday edition, John McAuliffe reviews two new and notable collections: The Boys of Bluehill by Eilean Ni Chuilleanain and The Days of Surprise by Paul Durcan.
Tuesday New Release Day: Donoghue; Vásquez; McBride; Raboteau; Olds; Bishop
New this week: The Wonder by Emma Donoghue; Reputations by Juan Gabriel Vásquez; The Lesser Bohemians by Eimear McBride; American Prophets by Albert J. Raboteau; Odes by Sharon Olds; and The Other Side of the World by Stephanie Bishop. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Dispatch from the Phillipines
Over at The New York Times Magazine, Katrina Tan finds a creative community in Manila. Pair with this Millions essay on creating a DIY literary scene.
Finding Your Writerly Voice with Alexander Chee
New Hardcovers with Paul Ingram
Watch beloved bookseller at Iowa City’s Prairie Lights Paul Ingram talk about this season’s best hardcovers. I loved getting his recommendations in person, and this is almost–almost!–as good. (via.)
The Writer as Outsider
“Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.” Karen Karbo writes for Powell’s Books’s blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone‘s piece “Practical Art: On Teaching the Business of Creative Writing.”