“Four years after first announcing the decision to open the prize to Americans, the Booker is virtually indistinguishable from its competitors. It is exactly what many feared it would become: corporate and daft.” Alex Shephard writing for The New Republic about why the Man Booker Prize isn’t interesting anymore. Still, should you want to know who’s shortlisted this year, here’s our roundup.
Saul Bellow met Jack Ludwig at Bard College in the fifties. The two became friends, and founded a magazine together, called The Noble Savage. Then, not long after the magazine began running, Ludwig started an affair with Bellow's wife. Here's the letter Bellow sent him when he found out. You could also read our own Emily St. John Mandel on Bellow's novel The Bellarosa Connection.
"Rockslide Sky," an exhibition of art inspired by Roberto Bolaño's story "Gomez Palacio," has just completed its run at Fordham University's Center Gallery/Lipani Gallery…but a slideshow lives on in cyberspace. (I like feel this one would have made a nice cover for Last Evenings on Earth, but Bolañophiles may want to click through all 18.)
Elena Ferrante’s introduction to the Folio edition of Sense and Sensibility is available at The Guardian. She describes the experience of reading Jane Austen as a girl. “At the time, I was enthralled by the great male adventure novels, with their stories that ranged all over the world, and I wanted to write such books myself: I couldn’t resign myself to the idea that women’s novels were domestic tales of love and marriage. I was past 20 when I returned to Austen. And from that moment not only did I love everything she had written but I was passionate about her anonymity.”
The Asian American Writers' Workshop is holding the third annual Page Turner: Asian American Literary Festival tomorrow, October 29th in Brooklyn. There you'll find: Junot Díaz, Amitava Kumar, Min Jin Lee, Jayne Anne Phillips, Granta editor John Freeman, two stand-up comedians, five NBA finalists, seven Guggenheim Fellows, and a Korean taco truck.