A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It’s Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”
At Open Letters, Rohan Maitzen writes about her awakening to the chasm between an academic appreciation for books and “a more personal, affective, and engaged vision of criticism. It has been surprising and exciting to me to realize how blinkered I was about non-academic book culture, and chastening to realize how little use my own specialized reading has been as preparation to join in.”
“As for the charge that [Constance] Garnett writes in an outdated language, yes, here and there she uses words and phrases that no one uses today, but not many of them. We find the same sprinkling of outdated words and phrases in the novels of Trollope and Dickens and George Eliot. Should they, too, be rewritten for modern sensibilities? (Would u really want that?)” It’s shaping up to be a day of passionate defenses. Writing for the New York Review of Books, Janet Malcom urges readers to put down their Pevear/Volokhonsky translations of Russian classics and pick Constance Garnett’s back up again.
Jonah Lehrer has resigned from his staff position at the New Yorker, after Tablet Magazine revealed he had fabricated quotes–from Bob Dylan, no less!–in his bestseller Imagine: How Creativity Works, which since has been pulled from the market. Michael C. Moynihan, the journalist who discovered the deception, was interviewed by the Observer, saying he felt “horrible” watching vitriolic reactions pour in. Previously the book saw critique for its loose science in both The New Republic and The Millions.
Art is about connecting the dots, Amanda Palmer proposed in her keynote address on creativity and sharing art in the internet age at the 2013 Grub Muse Literary Conference earlier this month. “For every bridge you build together with your community of readers, there’s a new set of trolls who sit underneath it,” she said about the internet.
Recommended Reading: Amy Gentry writes on the effects of rape culture and its permeations through art and literature. “I realize that what I’m describing here isn’t a list of books I’d like to see banned from the classroom; in fact, it is a list of my favorite books. It also a solid bit of evidence that Western culture is rape culture. Or, to put it another way: rape culture is just culture-culture. If only there were a trigger warning big enough for that.”
What was the very first ebook? It’s hard to say with any degree of precision, but a pretty good candidate is Peter James’s Host, which was copied and stored on a floppy disk back in 1993. At The Guardian, a look back at the early life of the format. You could also read David Rothman’s tribute to the ebook pioneer Michael Hart. (h/t The Paris Review)