“Proulx’s deep reverence for the beauty and complexities of rural America has introduced millions of readers to the wide breadth of American life. Her commitment to crafting compassionate, honest stories has left an indelible mark on literature and created a powerful and enduring legacy.” Annie Proulx nabs the National Book Foundation’s lifetime achievement award. Check out her Year-in-Reading entry from this past year here.
After the Times Magazine published their interview with Roxane Gay -- in which the Bad Feminist author and Year in Reading alum delves into the title of her latest book and talks about her love of Sweet Valley High -- the crew at McSweeney’s dug up a humor piece the author published in 2010. If you can read the title without laughing, you are more stoic than I am: “I Am Going to Cook a Quiche in My Easy-Bake Oven and You Are Going to Like It.”
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature -- posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki's argument that literature is a genre.
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.
In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature -- the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)