Out this week: Sour Heart by Jenny Zhang; Mrs. Fletcher by Tom Perrotta; The Seventh Function of Language by Laurent Binet; New People by Danzy Senna; Gravel Heart by Abdulrazak Gurnah; and White Plains by Gordon Lish. For more on these and other new titles, go read our most recent book preview.
“As I let the shotgun drop the butt hit the bricks and the second shell fired into me…” This excerpt from Homero Airdjis’s upcoming The Child Poet, is fraught with elements of tension and discovery. Something of a künstlerroman, the book tracks Airdjis’s artistic and poetic development from his boyhood through the present day.
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
“We note that there is a great lack of schoolbooks among secondary pupils, due to their weak purchasing power. The books currently in circulation will remain in use, but for purposes of ‘complementary consultation.’” Mozambique’s Education Minister has announced that with the start of the 2017 academic year, its school system will adopt a single book for each subject taught in the country’s secondary schools.
Coulrophobes take heed! You’re not scared of clowns because they’re inherently dark, or even because you caught a few minutes of Stephen King’s IT on television. In fact, you probably owe your fear of clowns to a fellow named Joseph Grimaldi, the “Homo erectus of clown evolution.” When this progenitor died in 1837, a young Charles Dickens “was charged with editing his memoirs.” The resulting portrait, relays Linda Rodriguez McRobbie, was what ultimately “water[ed] the seeds in popular imagination of the scary clown.”