Out this week: Sour Heart by Jenny Zhang; Mrs. Fletcher by Tom Perrotta; The Seventh Function of Language by Laurent Binet; New People by Danzy Senna; Gravel Heart by Abdulrazak Gurnah; and White Plains by Gordon Lish. For more on these and other new titles, go read our most recent book preview.
Recommended Reading: These fifteen short texts in search of Hilla Becher, photographer and life/artistic partner of Bernd Becher: “One of the creations of her and Bernd’s artistic partnership was the seemingly perfect fusion of their visions. ‘No, there is no division of labor,’ they told an interviewer in 1989, in a conversation that pointedly doesn’t designate which of them is speaking. ‘Outsiders cannot tell who has taken a particular photo and we also often forget ourselves. It simply is not important.'”
“Three weeks before she died on July 25, 2012, Marcia (Marty) Brown Stern ’54 sent me a registered letter, which began, ‘What is enclosed may astonish you.’ Indeed it did. The envelope included a draft of ‘marcia,’ an unpublished poem that Sylvia Plath ’55 wrote about their sophomore year together at Smith College in 1951.”
George Saunders is taking up residence at the Powell’s Blog this week as he embarks on a book tour promoting his latest (released today), The Braindead Megaphone. To my knowledge, it is Saunders’ first foray into blogging, a format we discussed nearly two years ago (scroll down). His concern: “I worry about how much I would have to pay myself to keep my blog supplied with content. My fear is that, knowing I was working for myself, I would start cheating myself, only submitting my worst pieces, then get into a labor dispute with myself and never speak to me again.” Hopefully, his fears aren’t realized.A new issue of Scott Esposito’s terrific Quarterly Conversation has arrived. It features, among several notable contributors, Garth, who “sorts out literary feuds, dissects James Wood’s essay against Don DeLillo’s 832-page opus Underworld, and argues that this book actually evolves the novel forward.”Emdashes has the schedule for this year’s New Yorker Festival. It looks fantastic as usual. I should really go sometime.
Following Sarah Hepola’s devastating New York Times Magazine profile of Cat Marnell with empathy and queer theory, Jane Hu’s piece on what it means to read Marnell, to follow her and crave her work even as her work destroys her, merits reading and rereading.