The Guardian has photos of A Little Life author Hanya Yanagihara‘s New York City apartment and its 12,000 – yes 12,000 – books. Pair with our interview with her from 2015: “It was the worst—the bleakest, the most physically exhausting, the most emotionally enervating—writing experience I’d had. I felt, and feared, that the book was controlling me, somehow, as if I’d somehow become possessed by it.”
To celebrate the release of Curiosity and Method: Ten Years of Cabinet Magazine, the Cabinet editors put their own magazine on trial, filling up an NYPL auditorium with academics and writers who, perhaps inevitably, began to compete in a kind of irrelevance-off. Which begs the question, answered well by The New Yorker’s Sasha Frere-Jones in Bookforum: how relevant to the wider culture is a magazine like Cabinet, anyway?
The Olympics Opening Ceremony this year sure was… something. Thankfully, folks more eloquent than I are here to parse its craziness for us: Jenny Diski and Rafil Kroll-Zaidi on what it was, plus Alex Shephard and the Full Stop bunch on what it should have been.
“I’ve always thought Yunior’s voice isn’t possible without hip-hop,” Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
Edinburgh’s latest whodunnit wasn’t written by Ian Rankin. The Scottish capital’s mysterious book sculptor has struck again. Last summer, she started anonymously leaving paper sculptures at literary locations around the city to promote free access to libraries, museums, and galleries. The latest artwork arrived at the Edinburgh Unesco City of Literature Trust and includes paper feather wings, a safety helmet, and goggles “to provide some protection throughout journey.”