The Guardian has photos of A Little Life author Hanya Yanagihara‘s New York City apartment and its 12,000 – yes 12,000 – books. Pair with our interview with her from 2015: “It was the worst—the bleakest, the most physically exhausting, the most emotionally enervating—writing experience I’d had. I felt, and feared, that the book was controlling me, somehow, as if I’d somehow become possessed by it.”
Tonight at 7pm, Hari Kunzru will visit WORD bookstore at 126 Franklin Street, Brooklyn, NY for an event co-hosted by The Millions. Visit the WORD website for further details and RSVP. Join us!
“I feel very transparent to myself. I’m more like an observer. I’m interested in what’s going on. I’m not sure that I really have a personality,” Joyce Carol Oates said in The New Yorker’s micro documentary about her writing life and routine. Pair with: our essay on Oates’ The Accursed.
Alison Mudditt, director of The University of California Press, has announced the suspension of the New California Poetry series due to state budget cuts and the challenges posed to “our industry and markets which (not unlike the newspaper industry!) require us to rethink and retool to remain a vibrant and relevant voice in the digital age.”
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
The Imperfectionists author and Year in Reading alum Tom Rachman has a new novel on shelves this week, as does Orson Scott Card. Also out: Eyrie by Tim Winton; O, Africa! by Andrew Lewis Conn; So Much a Part of You by Polly Dugan; Stars Go Blue by Laura Pritchett; Third Rail by Rory Flynn; and Time of the Locust by Morowa Yejide.