The Guardian has photos of A Little Life author Hanya Yanagihara‘s New York City apartment and its 12,000 – yes 12,000 – books. Pair with our interview with her from 2015: “It was the worst—the bleakest, the most physically exhausting, the most emotionally enervating—writing experience I’d had. I felt, and feared, that the book was controlling me, somehow, as if I’d somehow become possessed by it.”
Congratulations to our own Garth Risk Hallberg, who was a finalist for the Nona A. Balakian Citation for Excellence in Reviewing, awarded by the NBCC. Critic William Deresiewicz took home the prize. We wrote up the finalists in the fiction and non-fiction categories yesterday.
There are a lot of writers who work in advertising, and it's starting to have an impact. People are more likely to love brands if there is a story involved, according to a new study. "We’ve known for a long time there is no ‘buy’ button in the brain. But these results show there’s a ‘story’ button," neuroscientist Paul Zak says. Pair with: Our essay on working at a creative agency after getting your MFA.
Wikipedia states that its ultimate mission is to collect all the knowledge in the world. The biases of its users may earn the site a few jabs, but if a number of studies which compare the site’s articles to those of professional encyclopedias are reliable indicators, its content is accurate enough to satisfy the needs of most users. But now the whole project may be in trouble for a simple and very odd reason -- it's apparently done so well that most of its contributors have gone home.
Gary Indiana posits that “no current literary label appealingly describes the kind of narratives [Renata Adler’s] Speedboat and Pitch Dark are.” This might be true. However in the name of moving forward with discussion, perhaps we can all go with Matthew Spektor’s summation of Adler’s debut novel: “if it’s ‘like’ anything at all, a steeplechase of [dazzling] hurdles could be it.”