“I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees.” Apples, plastic bags, teeth In The Guardian, Karl Ove Knausgaard attempts to explain the world to his unborn baby, object by object. Pair with our review of his epic, My Struggle.
A Is for Apple
Rare Manuscripts on Trial
A few rare stolen manuscripts from the New York Public Library have been the subject of a court case. Melville House covers the progression of the case so far. Travis McDade writes about rare book crime capers in the recent past for The Millions.
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Worth Its Weight
What’s the value of a Nobel Prize? As of last week, at least $250,000.
Wells Tower on Your TV Screen
Talk about burying the lede. This article about Alec Baldwin’s return to television acting, and how he’ll be playing “a Rob Ford-type mayor of New York,” doesn’t make a big deal out of the show’s pilot writer. But it should. Because his name is Wells Tower.
The Truth about Fiction
Leslie Pietrzyk wonders why readers are so eager to assume that a fictional story happened in real life. She asks, “Why is that always the question fiction writers are asked? Why do readers insist on knowing if the story that held them enthralled was ‘real’?”
Tuesday New Release Day: Ephron, Alarcón, Dorst/Abrams, Dickinson
New this week: The Most of Nora Ephron; At Night We Walk in Circles by New Yorker 20 Under 40er Daniel Alarcón; S., a novel written by Doug Dorst in collaboration with J.J. Abrams (which naturally has a trailer); and The Gorgeous Nothings, a full-color facsimile of poems that Emily Dickinson drafted on the backs of envelopes. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
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A Frothy, Heady BFFship
“It seems that not only do Americans see beer as a person, they see beer as a person other people like better than them.”
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Mon Semblable, Mon Frere
In a 6,000 word essay for The Point, founding editor Jon Baskin wades into the personal and professional psychodrama of the Franzen–Wallace friendship. Beneath the public surface, finds deep questions about the “novel of the self,” the “novel of society,” and the life worth living.
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