“Every one of these books is a herd of animals.” The Atlantic reports that a group of archaeologists and geneticists in the UK have used mere crumbs of parchment to study the DNA of several thousand-year-old illuminated manuscripts, the pages of which were made of cow and sheep skins.
Frederick Douglass was one of the first people to use photography to control meaning. Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American catalogues his many portraits and how they contributed to our perception of Douglass. Our own Edan Lepucki writes about the place of slave narratives in fiction.
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: "The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them." We agree, and also hope never to read "It was a dark and stormy night..." again.
How do you write poems about a culture that has been erased from history and one you don't fit into? Tess Taylor delved into the complications of her Southern family's past for The Forage House and attempted to excavate the unwritten parts of their history. "The non-writing down of people is intensely violent," she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne's essay on the collection and its implications.