Out this week: Made for Love by Alissa Nutting; The Reason You’re Alive by Matthew Quick; The Graybar Hotel by Curtis Dawkins; The Tower of the Antilles by Achy Obejas; Out in the Open by Jesús Carrasco; and Who Is Rich? by Matthew Klam. For more on these and other new titles, go read our most recent book preview.
Out this week: My Lost Poets by Philip Levine; Orphans of the Carnival by Carol Birch; These Are the Names by Tommy Wieringa; A Poet's Dublin by Eavan Boland; and Against Sunset by Stanley Plumly. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
"Her exchanges with Americans in small towns and rural communities are inspiring an appreciation of poetry and history – and remind us that poetry has value for all of our lives." The Library of Congress appointed Tracy K. Smith to a second term as the 22nd Poet Laureate Consultant in Poetry for 2018-2019. For her second term, Smith edited an anthology called American Journal: Fifty Poems for Our Time, which will be published by Graywolf Press in association with the Library of Congress. Pair with: our review of Smith's memoir, Ordinary Light.
David Fincher, who helmed the American cinematic adaptation of The Girl with the Dragon Tattoo, may join the team working on the film for Gillian Flynn’s Gone Girl. Flynn herself penned the first draft of the screenplay. As you wait (im)patiently for the project to get underway, you can take our own Michael Bourne’s advice and treat yourself to Flynn’s earlier books.
Ladbrokes, the popular bookmaker, has correctly predicted the winner of the Nobel Prize in Literature with “a 50 percent accuracy rate” over the past eight years. This remarkable record is noteworthy because the oddsmakers do not actually read any of the books, and they do not go about “forming an opinion about the relative merits of each author.” Instead, the folks responsible for each year’s odds “appl[y] a numerical value to things like industry chatter, an author’s nationality, historical precedent.” So, that in mind, how confident do you feel about Haruki Murakami’s chances?