“Literature can use secrecy as a device to ensnare readers, to pull the wool over their eyes or to reveal to them things that the characters can’t see. Whether large – businessman by day, serial killer by night; or small – where a character silently yearns for an ex-lover.” Eli Goldstone compiles a list for The Guardian of 10 novels whose characters are concealing big secrets, including a few lesser-knowns like Shirley Jackson‘s We Have Always Lived in the Castle and New Finnish Grammar by Diego Marani.
Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
“The most interesting writers we know, all asking and answering the same question: why can’t we stop watching cat videos?” Coffee House Press one-ups all boring Kickstarter campaigns with Catstarter, a campaign to fund a book on cat videos and “how we decide what is good or bad art, or art at all.”
Rodney King, possibly the nation’s best-known victim of police brutality, will fight former Pennsylvania police officer Simon Aouad in a celebrity boxing match in Philadelphia on September 12. “I know some people will see the irony here,” King said. I’m not sure irony’s the word, but it’s something alright.
“Hitler increasingly presented himself in messianic terms, promising ‘to lead Germany to a new era of national greatness,’ though he was typically vague about his actual plans.” The New York Times‘ Michiko Kakutani writes a review of Volker Ullrich‘s new Hitler biography, Hitler: Ascent, 1889-1939, so timely it could easily be an op-ed. Just read it. And when you’re done, read this too.