“Everything I learned about writing, I learned from watching people.” David Sedaris talks with The Rumpus about IHOP and his newly published collection of diary entries Theft by Finding.
Formative Pancakes
Behind the Screenwriter
Novelists, poets, and playwrights aren’t the only people who can call themselves writers. Don’t forget the oft begrudged screenwriters. The New York Times highlights 14 of this year’s best screenwriters, including Julie Deply and Seth Rogen, and asks them for writing advice and one original line of dialogue for some excellent short films. Our favorite short film is Robert Redford’s.
The Lorax Mourns Another Tree
Story from Lucia Berlin
Recommended Reading: “The Musical Vanity Boxes” by Lucia Berlin at Electric Literature.
Wanna Get Away?
Well, this is gorgeous. Nisa Maier curates a collection of photographs and stories meant to “capture the essence of every country on the planet.” The end result, Let’s Travel Somewhere, can take you from India to Cuba, or from Russia to New Zealand.
“Sunset: bitter orange and almond milk”
Recommended Reading: “Joseph Brodsky in Venice (1981)” by Campbell McGrath, one of the best poets in South Florida.
Wild Thing
Lord of the Flies is perhaps the best example of a book that forces readers to confront how wild we are. But there’s a whole corpus of books that accomplish the same thing. In The New Statesman, Erica Wagner writes about Melissa Harrison’s At Hawthorn Time and Sarah Hall’s The Wolf Border.