Out this week: Men Without Women by Haruki Murakami; The Purple Swamp Hen by Penelope Lively; Since We Fell by Dennis Lehane; House of Names by Colm Toibin; and Woman No. 17 by our own Edan Lepucki. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Murakami; Lively; Lehane; Toibin; Lepucki
Curiosities: Smoldering Eyebrows
E-book pricing wars continue. Sony tries to hit the Kindle where it hurts by offering cheaper e-books. Meanwhile, $0 is becoming an important price point at the Kindle store.Sam Anderson hates Thomas Pynchon.An indie bookstore fan uses our bookstore tour as a jumping-off point for a literary day in Manhattan. You can too.
Shots Fired
“While I’m glad we’ve had this chance to talk, because of time constraints I cannot answer these basic questions about race and how racism works.” Colson Whitehead considers new business cards. See our review of his Pulitzer-winning The Underground Railroad here.
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2011 Best of Plagiarism
Q. R. Markham‘s heavily plagiarized book Assassin of Secrets somehow made it onto Kirkus Reviews‘ “2011 Best of Fiction” list. (Saved here in case they take it down.) Interestingly, the link doesn’t appear to lead anywhere. (via)
Tana French’s Accidental Writing
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I’d never done it before. But I thought I could write a sequence. Then I had a chapter.”
An American Tragedy
“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.
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